1. “Meeting at Night” is a poem of—
(A) Love (b) Satiety (c) Hope (d) Exuberant feelings.
2. The poem, “Meeting at Night”, is composed by—
(a)William Wordsworth. (B) Robert Browning. (c) Robert Blake. (d) H. W. Longfellow.
3. Robert Browning is a—
(A) Victorian poet. (b) Romantic poet. (c) Pre-romantic poet. (d) None of the above.
4. The speaker in “Meeting at Night” undertakes a journey by a
(A) boat (b) ship (c) car. (d) steamer
5. Browning’s “Meeting at Night” is –
(A) A love-lyric. (b) An elegy. (c) A sonnet. (d) An epic.
6. Browning’s beloved was—
(A) Elizabeth Barrett. (b) Sara Coleridge. (c) Dorothy Wordsworth. (d) None of the above.
7. The poem, “Meeting at Night”, was 1st printed in—(1845)
(A) Dramatic Romances and Lyrics. (b) Pauline. (c) Asolando. (d) Sordello.
8. The sea, as delineate in “Meeting at Night”, is—
(A) Grey. (b) Black. (c) Yellow. (d) Green.
9. The land, as delineate in “Meeting at Night”, is—
(a) Grey. (B) Black. (c) Yellow. (d) Green.
10. The waves are—
(a) Fiery really. (B) Fiery metaphorically. (c) Fatal. (d) Bright.
11. “The grey sea” symbolizes—
(A) Evening. (b) The lover’s secret love. (c) Adventurous journey. (d) all of the above.
12. The primary textual matter the author wrote to point out however the lover’s journey is—
(a) Romantic. (b) Adventurous. (C) Secret. (d) None of the above.
13. The spurt of a lighted match, as delineate in “Meeting at Night” is—
(a) Grey. (b) Black. (c) Yellow. (D) Blue.
14. The moon, as delineate in “Meeting at Night”, is—
(a) Grey. (b) Black. (C) Yellow. (d) Green.
15. The moon in “Meeting at Night” is—
(A) Large and low. (b) Large and high. (c) Small and low. (d) Small and high.
16. In “Meeting at Night”, the microscopic waves that leap are—
(a) Stirred. (b) Strong. (c) Strange. (D) Startled.
17. In “Meeting at Night”, the ocean beach is—
(A) Warm and sea-scented. (b) Hot and sandy. (c) Cold and slushy. (d) Cold and sea-scented.
18. In “Meeting at Night”, the ocean beach is—
(A) One mile wide (b) Two miles wide (c) Three miles wide (d) Four miles wide
19. In “Meeting at Night”, the expression ‘pushing prow’ refers to—
(a) Static sea. (b) Yellow moon. (c) Wide beach. (D) Moving boat.
20. to achieve the farm house, the speaker in “Meeting at Night”, crosses—
(a) One field. (b) Two fields. (C) Three fields. (d) Four fields.
21. The farm house is the dwelling of—
(a) The poet. (b) Elizabeth Barrett. (c) The speaker. (D) The ladylove.
22. The speaker in “Meeting at Night”, faucets the pane to—
(a) Shut the window. (b) To open the window. (C) To call his beloved. (d) To make a noise.
23. In “Meeting at Night’, the two hearts beat in—
(a) Fear. (b) Wonder. (C) Excitement. (d) Sorrow.
24. The lovers “hearts beating every to each” as a result of they are—
(a) Intoxicated. (b) Excited. (c) Exuberant. (D) Passionate.
25. The speaker in “Meeting at Night”, undertakes a long journey —
(A) At night. (b) During the day (c) In the morning. (d) In the afternoon.
26. The speaker in “Meeting at Night” undertakes a long journey to—
(a) Meet his parents. (b) Discover a new land. (c) Fight his enemies. (D) Meet his beloved.
27. The meeting, as described in the poem “Meeting at Night” is a/an—
(a) Open meeting. (B) Secret meeting. (c) Unplanned meeting. (d) Forced meeting.
28. Browning’s poem, “Meeting at Night”, presents the secret meeting of—
(a) Browning and Elizabeth Barrett. (b) Wordsworth and Mary Hutchinson. (C) The speaker and his beloved. (d) The worm and the rose.
29. The first four lines in Browning’s poem, “Meeting at Night”, describe—
(a) The speaker, the moon and the sea. (b) The speaker, the sea and the land. (c) The sea, the land and the moon. (D) The sea, the land, the moon and the waves.
30. The night-time in Browning’s poem. , “Meeting at Night”, has been presented through—
(A) The title, grey sea, black land and yellow moon. (b) The title, grey sea, black land and warm beach. (c) The wave, grey sea, black land and yellow moon. (d) The title, slushy sand, black land, and yellow moon.
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